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BOSS FV-50H volume pedal
With its high-impedance design, the light-weight stereo volume pedal is interesting for guitarists who want to control the volume of their guitar (and thus also the distortion of the amp) by the pedal. Practically without sound loss - particularly before the preamp of the amp! The minimum volume knob lets you set the lowest volume as desired. The tuner out enables silent and speedy tuning on stage. - Input : 1/4" Jack x 2 - Output : 1/4" Jack x 2 + Tuner Out (1/4" Jack) x 1 - Control : Minimum volume - Dimensions : 86 x 200 x 54 mm - Weight : 400 g - Condition : New (Box opened only once for the photo shooting) *********54,00€
Audix OM11
Professional Dynamic Vocal Microphone Designed, machined, assembled, and tested by Audix in the USA, the OM11 vocal dynamic microphone was first issued in 1985 as the OM1. This microphone is a dynamic vocal microphone used for a wide variety of stage, studio, and broadcast applications. Its sharp, crisp vocal sound, resistance to feedback, and ability to handle high SPLs without distortion are trademarks of the OM11. The OM11 dynamic vocal microphone is designed with a tight, uniformly controlled hyper-cardioid polar pattern which helps isolate the vocals on stage. The response of the OM11 is tailored to cut through the mix, providing extra presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 hyper-cardioid microphone is well balanced, comfortable to hold, and durable. - Transducer Type : Dynamic - Frequency Response : 50 Hz – 18 kHz - Polar Pattern : Hyper-cardioid - Output Impedance : 200 ohms - Sensitivity : 1.9 mV / Pa @ 1k - Capsule Technology : VLM Type C - Off-Axis Rejection : >30 dB - Maximum SPL : ≥140 dB - Weight : 370 g - Length : 179 mm - Condition : New (Box opened only once for the photo shooting) - Accessories : mic clip, soft bag, etc *********208,00€
Audix OM6
Professional Dynamic Vocal Microphone The OM6 is a dynamic vocal microphone used for live performances, studio, and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback, and ability to handle high SPLs in excess of 144 dB without distortion. The OM6 vocal microphone has a tight and uniformly controlled hyper-cardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2 kHz -10 kHz along with a flat, fully extended bass response from 60 Hz – 1 kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 hyper-cardioid dynamic vocal microphone an excellent choice for broadcast and live recording. - Transducer Type : Dynamic - Frequency Response : 40 Hz – 19 kHz - Polar Pattern : Hyper-cardioid - Output Impedance : 290 ohms - Sensitivity : 1.5 mV / Pa @ 1k - Capsule Technology : VLM Type D - Off-Axis Rejection : >25 dB - Maximum SPL : ≥144 dB - Weight : 307 g - Length : 176 mm - Condition : New (Box opened only once for the photo shooting) - Accessories : mic clip, soft bag, etc *********178,00€
BOSS MT-2 3A Metal Zone 30th edition
30th anniversary edition of the Million-Selling High-Gain Monster, boasting the same Dual-Stage Gain Circuit along with an eye-grabbing grayscale color scheme. - Iconic high-gain distortion pedal - Innovative dual-stage gain circuit produces thick and tight distortion sounds with smooth, singing sustain - Easy to achieve massive, satisfying sounds at any volume level - Tailor made distortion on guitar amp, slick radicalism on bass amp, (un)governable harshnoise madness on PA. - 3-Band EQ with semi-parametric mid provides intense sound customization with up to 15 dB boost/cut on each band - Controls : Level, High, Low, Mid, Mid freq, Dist - Compact, very robust construction - Limited black & gray color scheme with silver thumbscrew like vintage BOSS pedals (made in Japan until early 80s.) - Battery and power supply operation possible - Dimensions : 70 x 125 x 55 mm - Weight : 450 g - Condition : New (Box opened only once for the photo shooting) *********99,00€
Audix OM7
Professional Dynamic Vocal Microphone The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands. In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 hyper-cardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain. - Transducer Type : Dynamic - Frequency Response : 48 Hz – 19 kHz - Polar Pattern : Hyper-cardioid - Output Impedance : 50 ohms - Sensitivity : 0.8 mV / Pa @ 1k - Capsule Technology : VLM Type C - Off-Axis Rejection : >30 dB - Maximum SPL : ≥144 dB - Weight : 307 g - Length : 176 mm - Condition : New (Box opened only once for the photo shooting) - Accessories : mic clip, soft bag, etc *********199,00€
Audix OM5
Professional Dynamic Vocal Microphone The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hyper-cardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. The OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors. - Transducer Type : Dynamic - Frequency Response : 48 Hz – 19 kHz - Polar Pattern : Hyper-cardioid - Output Impedance : 200 ohms - Sensitivity : 2 mV / Pa @ 1k - Capsule Technology : VLM Type C - Off-Axis Rejection : >30 dB - Maximum SPL : ≥144 dB - Weight : 330 g - Length : 176 mm - Condition : New (Box opened only once for the photo shooting) - Accessories : mic clip, soft bag, etc *********139,00€
BOSS MT-2W Metal Zone Waza Craft
A High-Gain Icon, Evolved with Waza Innovation Made in Japan and infused with Waza Craft mojo, the MT-2W takes the iconic stomp to new levels of tonal range and versatility. Standard mode delivers an evolved version of the original mid-focused Metal Zone tone, while Custom mode introduces a fresh, wide-ranging voice that’s perfectly suited for today’s diverse high-gain styles. - Premium Waza Craft pedal with all-analog audio circuitry - Innovative dual-stage gain circuit built with discrete analog components - Standard mode updates the famous MT-2 Metal Zone sound with improved clarity and lower noise - Custom mode delivers full-throttle gain tones with wider range, increased dynamics, and tighter low end - Easy to achieve massive, satisfying sounds at any volume level - Tailor made distortion on guitar amp, slick radicalism on bass amp, (un)governable harshnoise madness on PA. - 3-Band EQ with semi-parametric mid provides intense sound customization with up to 15 dB boost/cut on each band - Controls : Level, High, Low, Mid, Mid freq, Dist, Mode switch (Standard/Custom) - Compact, very robust construction vintage BOSS pedals (made in Japan until early 80s.) - Battery and power supply operation possible - Dimensions : 70 x 125 x 55 mm - Weight : 450 g - Condition : New (Box opened only once for the photo shooting) *********129,00€
AKG C636
Studio Star Reincarnated for the Modern Stage The new AKG C636 Handheld Condenser Microphone is reborn from the legendary C535. It features a new form for today’s rigorous performance and stage requirements. The C636 is housed in a worry-free durable metal housing and features a state-of-the-art, multi-layer pop noise rejection system that eliminates plosives, letting you focus on your vocal performance, not on the performance of your microphone. Add in the ambient-noise-rejecting cardioid polar pattern, and the AKG C636 is truly a stage-ready performance condenser microphone. - Transducer Type : Condenser (3/4” Back electret) - Frequency Response : 20 Hz – 20 kHz - Polar Pattern : Cardioid - Output Impedance : 200 ohms - Sensitivity : 5.6 mV/Pa 2,0mV/Pa = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar) (in free field, no load (1kHz)) - Maximum SPL : ≥150 dB (1 % THD) - Signal to Noise ratio : 74 dB-A - Bass cut filter : 80 Hz, 12 dB/octave - Powering : 48 V / 4 mA - Capsule : Manually tuned 24-karat gold-plated capsule can last through a lifetime of shows - Shock-mounted capsule : World's first double-shock suspension system isolates from handling noise - Weight : 312 g - Dimentions : 51 x 185 mm - Condition : New (Brandnew, unopened) - Accessories : mic clip, soft bag, etc *********369,00€
Sennheiser e945
The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies. - Transducer Type : Dynamic - Frequency Response : 40 Hz – 18 kHz - Polar Pattern : Super-cardioid - Output Impedance : 350 ohms (Nominal), 1000ohms (Min. terminating) - Sensitivity : 2,0mV/Pa = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar) (in free field, no load (1kHz)) - Shock-mounted capsule : Low sensitivity to impact and handling noise - Hum compensating coil : Reduces electrical interference - Neodymium ferrous magnet with boron : Keeps microphone stable regardless of climate - Weight : 365 g - Dimentions : 47 x 186 mm - Condition : New (Box opened only once for the photo shooting) - Accessories : mic clip, soft bag, etc *********149,00€