Secondhand Behringer

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ROLAND MV-30 Synthesizer and Musical Studio Module
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349,00€
ROLAND MV-30 Synthesizer and Musical Studio Module Contains the library of powerful sounds from the Roland D-70 synthesizer based on the Super LA engine which provides a complex level of synthesis. We find dance, rock, alternative, pop, orchestral, band, synthesizers, organs, electric and acoustic instruments, pads, strings, bass, drum kit and percussion, FX and splendid acoustic pianos. The faders on the front panel allow for real-time volume, pan or effects changes. Contains 16 tracks where tracks 1-8 control the internal synthesizer and tracks 9-16 control external instruments. You can use 2 RS-PCM cards simultaneously for additional 8-part multi-timbral samples. The sounds are great and can be manipulated. You can save up to 64 songs and 1024 sounds on a disk! The sequencer is primarily song-oriented, but also offers 20 patterns per song. There are a total of 18 tracks, 1 track for the data mixer (MIDI) and a tempo track that is not designed for notes. The remaining tracks are divided into 8-channel tracks that are permanently assigned to the internal parts of the tone generator and cannot output data to the outside. The last 8 tracks can each record the mixed data of the 16 MIDI channels and be sent via MIDI or routed to the internal sound generator. Each of the 16 grade tracks can optionally be declared as a pattern track and then called up a pattern sequence. The up to 20 patterns in a song can be assigned as RPS phrases to each key (note number) and then manually operated by the RPS function. Adapter with power cord, manuals and the Roland DP2 foot pedal for activating the play/stop function of the unit are provided. It is in perfect working order. The only exception, which does not affect its functionality, is that the Play/Stop key is not operational. The Play/Stop function of the device is therefore performed with the Roland DP2 pedal (included).
AUDIO INTERFACE
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95,00€
AUDIO INTERFACE Audio interface designed for use with Pro Tools systems, manufactured by Digidesign. It works impeccably and is in very good cosmetic condition. It was rarely used, so it has no marks or scratches. It is delivered with its corresponding power cable. Other connection cables can be provided on request if they are still available and at an economical price. The Pro Tools audio interface has been praised by critics and users alike for its excellent audio quality. Each Pro Tools audio interface provides four channels of high-quality +4dBm balanced analog inputs and outputs; An audio interface, Pro Tools can route up to 16 virtual tracks through 4 discrete analog outputs. Each audio interface also has two assignable channels of AES/EBU and S/PDIF digital inputs/outputs (I/Os), for connection to other digital devices, and digital effects processors. It has a SLAVE CLOCK input and output for synchronization with video and SMPTE slave controllers, as well as with other synchronizers. For example, if more than one interface is used, connect the Slave Clock output of the first interface to the Slave Clock input of the second interface. AUDIO INTERFACE SPECIFICATIONS: · Sampling frequencies: 44 lkHz or 48 kHz; user selectable. · Analog to digital converter: 1 bit Delta-Sigma; Oversampling 64x; 16 bit output. · Digital to analog converter: 18 bits; 8x oversampling. · Frequency response: 20Hz - 20kHz, ±1dB. · Signal-to-noise ratio: >93dB A/D; >108dB D/A. · Analog levels: +4dBm nominal. 14dBm in Free Space (Headroom). · Maximum analog I/O levels: +24dBm. · THD + N: 0.005% A/D; 0.003% D/A. · Digital I/Os (Input/Outputs): AES/EBU (XLR) or S/PDIF (RCA), user selectable. · Analog audio connectors: Balanced XLR, PIN 2 Hot. · Power requirements: 100, 120, 220, 240 VAC (auto switching, 50 - 60 Hz); 16 watts- · Dimensions: 19" external rack mount device; 48.26 x 4.44 x 21.59 cm (W x H x D); · Nice black finish; Weight: 3kg.

Buy second-hand Behringer equipment

Behringer X32, Behringer X18, Behringer X Touch or Behringer C1 second hand on Sounds Market, the website specialized in buying and selling second hand musical instruments and sound equipment. Sounds Market is the second hand web site best rated by its customers, besides being the safest: until the buyer does not receive his purchase and test it, we do not pay the money to the seller, who on the other hand, we do not charge any commission for selling, for example, Behringer speakers or a Behringer mixer as the X32, one of its most prominent models.

Used Behringer sound equipment for sale online

Behringer is a German company created in 1989 with the mission to make professional audio accessible to the masses. Following this premise, Behringer manufactures and sells mixing consoles, speakers, microphones, synthesizers, audio interfaces... (and much more!) much cheaper than the rest of its competitors. Let's see below what Behringer's flagship products are: If you want a Behringer mixer, its best-known models currently are the X 32 (a 32-channel digital mixer with built-in display), although it has other much more accessible models with fewer channels and features, such as the Behringer Xenyx. Among its DAW controllers we highlight the Behringer X Touch, ideal for using a DAW (Ableton, FL Studio, Logic Pro...) in studio or live, as it is a universal controller. Behringer speakers are also well known, with affordable models such as the B115D or the Behringer Eurolive. If we take a look at the microphones, Behringer has one of the most accessible models on the market, as is the Behringer C1, a condenser microphone designed for studio and live. Other Behringer instruments that are very successful for their price (inspired by more expensive equipment from other brands such as Roland or Moog) are the Behringer RD 9 drum machine, the Behringer TD3 or the Behringer Poly D, a four-voice polyphonic analog synthesizer. In short, Behringer is a brand that fulfills its mission to democratize professional sound equipment thanks to its much more accessible prices, with products whose quality has greatly improved and that meet expectations.

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